Title
unknown (Woman in Blue) (detail), n.d., Beaverbrook Art
Gallery
Learn to Look at Women's Portraits
Anthony Flower & William Colin Frith
Click on image for complete view
Click on image for complete view
ANTHONY FLOWER Mary Matilda Clark Flower, 1864
watercolour on paper
n.a.
Collection of the Queens County Museum
WILLIAM COLIN
FRITH Lady with a Locket, 1860
oil on canvas
53.7 x 43.8 cm
The Beaverbrook Art Gallery
What we see
Take a moment to look at these two paintings
of young women. What do you notice about them that looks
the same? What about them is different?
How we feel
Do you think their clothes are important
to them? If someone wanted to paint a picture of you what
clothes would you wear? Which artist would you like to paint
your portrait?
What we think
What can you tell me about these women?
Do you think you would like one person more than the other?
Why? How does the pose the artist has painted these women
in change the way you feel about them?
How it was made
Artists have to select what medium they
want to use when they create a work of art. An advantage
to watercolour is that it is inexpensive, easy to mix and
dries quickly. Unfortunately, the portrait on the left shows
it can also fade with time. Oil painting is more resistant
to light but is more expensive and takes a longer time to
dry.
About the artist
William Colin Frith (1819-1909)
was a member of the Royal Academy in England. When he began
his career as an artist he disliked the stuffiness
of most paintings produced by members of the Academy. Later,
he enjoyed great success painting images of women in fashionable
dress in private moments.